Bibliographie musicale
Allen, Michael, Robert Gillespie, Pamela Tellejohn Hayes, and John Higgins. Essential Eléments for Strings: A comprehensive String Method. Book 1. Milwaukee, WI: Hale Leonhard, 2000.
Boulez, Pierre. Boulez on Music Today. Translated by S. Bradshaw and R. R. Bennett. London: Faber, 1971.
Carré, Alain. Musique et Surdité: le paradoxe du sourd musician. Paris: Fuzeau, 2008.
Clarke, David, and Eric Clarke, eds. Music and Consciousness: Philosophical, Psychological, and Cultural Perspectives. Oxford: Oxford University Press, 2011.
Dewitte, Jacques. “L’invention instrumentale.” Methodos 11 (2011). https://doi.org/10.4000/methodos.2473
Drabkin, William. “Theme.” The New Grove Dictionary of Music and Musicians. 2nd ed. Edited by S. Sadie, and J. Tyrrell. London: Macmillan, 2001.
Erlmann, Veit. Reason and Resonance: A History of Modern Aurality. New York: MIT Press, 2010.
Gagnepain, Xavier. Du musicien en général…au violoncelliste en particulier. Paris: Cité de la musique, 2003.
Gillie-Guilbert, Claire. “‘Et la voix s’est faite chair…’: Naissance, essence, sens du geste vocal.” Cahiers d’ethnomusicologie 14 (2001): 3-38 https://journals.openedition.org/ethnomusicologie/71.
Helmholtz, Herman von. On the Sensation of Tone as a Psychological Basis for a Theory of Music. New York: Dover Publication, 1954.
Hoppenot, Dominique. Le violon intérieur. Paris: Editions Van de Velde, 1981.
Jahn, A. F., and J. Santos-Sacchi, eds. Physiology of the Ear, 2nd ed. San Diego: Singular, 2001.
Leibowitz, René. Le compositeur et son double, essais sur l’interprétation musicale. Paris: Gallimard, 1986.
Mark, Thomas Carson. Motion, Emotion, Love: The Nature of Artistic Performance. Chicago: GIA, 2012.
Meyer, Leonard. Emotion and Meaning in Music. Chicago: Chicago University Press, 1956.
Moreno, Jairo. Musical Representation, Subject, and Object: The Construction of Musical Though in Zarlino, Descartes, Rameau and Weber. Bloomington: Indiana University Press, 2004.
Nachmanovitch, Stephen. Free Play: Improvisation in Life and Art. New York: Tarsher/Putnam, 1990.
Pettman, Dominic. Sonic Intimacy: Voice, Species, Technics. Stanford: Standford University Press, 2017.
Sauvanet, Pierre. “L’ethnomusicologue et le philosophe: quand ils se rencontrent sur le phénomène ‘rythme.’” Cahiers d’ethnomusicologie 10 (1997): 3-16. https://journals.openedition.org/ethnomusicologie/692.
Schaeffer, Pierre. In Search of a Concrete Music. Translated by C. North, and J. Dack. London: University of California, 2012.
Schaeffer, Pierre. “Le Laboureur et ses enfants.” January, 1961, p. 226, §40 (taped text for a conference addressed to the audience of the Service de la recherche in occasion of the new year), Fonds Schaeffer, IMEC, folder. 10, box 1. https://doi.org/10.4000/entrelacs.621.
Schlüren, Christophe. “Cantability.” http://christophschlueren.com/cantability/.
Sève, Bernard. L’altération musicale: Ou ce que la musique apprend au philosophe. Poétique. Paris: Seuil, 2002.
Smith, Stephen, and Michael Chipman. The Naked Voice: A Wholistic Approach of Singing. New York: Oxford University Press, 2007.
Spitzer, Manfred. Musik in Kopf: Hören, Musizieren, verstehen und erleben in Neuronalen Netzwerk. Stuttgart: Schattauer, 2002.
Stanislavski, Constantin. An Actor Prepares. London: Methuen, 1988.
Stanislavski, Constantin. An Actor’s Work: A Student’s Diary. Edited and Translated by Jean Benedetti. London: Routledge, 2008.
Stevens, Stanley. Sound and Hearing, rev. ed. New York: Time, 1980.
Sloterdijk, Peter. “Wo sind wir, wenn wir Musik hören?” In Weltfremdheit. Frankfurt-am-Main: Suhrkamp, 1993: 294-331.
Schloezer, Bernard de. Introduction à J. S. Bach. Paris: Gallimard, 1947.
Stumpf, Carl. The Origin of Music. Oxford: Oxford University Press, 2012.
Teleman, Georg Philipp, “Brieff an Herrn Matheson.” In Johann Matthesons Grosse General-Baß-Schule. Oder Der exemplarischen Organisten-Probe. Hamburg: Johann Christoph Kißner, 1731: 169-180, https://de.wikisource.org/wiki/Georg_Philipp_Telemann_an_Johann_Mattheson.
Wever, Ernest Gless. Theory of hearing. Oxford: Wiley, 1949.